This is a new and freshly published edition of this culturally important work by Richard Marsh, which is now, at last, again available to you.
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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Woman with One Hand (and) Mr. Ely's Engagement - Mr. Ely's Engagement:
Look inside the book:
Now, I am James Southam, at one time of Dulborough, but, although I do answer to that description, a very clear something told me that if I did hear of anything to my advantage by applying to anybody, then the age of miracles was not yet done with. ...An examination of the dead man's pockets disclosed the somewhat curious fact that they contained nothing but a massive gold watch, without a maker's name; a sheaf of bank-notes, which, unenclosed in any cover, was simply thrust in the breast-pocket of his coat, and consisted of no less than one hundred ten-pound notes; some gold and silver coins--four pounds, thirteen shillings, if I remember rightly--in a plain leather purse; and, in an apparently forgotten corner of his right-hand waistcoat pocket, was a torn scrap of a visiting card. ...Notwithstanding which, when the inquiry closed, I was conscious that more than one person in court, and a good many out of it, cherished the impression that I had had a hand indirectly, if not directly, in the murdered man's despatch, the verdict of the coroner's jury being that Jonas Hartopp, otherwise known as Duncan Rothwell, had been murdered by some person or persons unknown.
About Richard Marsh, the Author:
A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn of the 19th to 20th century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late 19th-century novels (those of Wilkie Collins and Stoker, for example) to create suspense and to confuse gender boundaries.
