About This Book
Broadway Melody of 1999, an opulent and profound tour de farce, unites figures from film, literature, and life in a phantasmagoric Christmas Eve night at the opera. Set in a snowbound metropolis where bombs explode for no apparent reason, Broadway Melody scripts the efforts of an exhausted, frail Dracula to find a new bride. Structured as a film whose editor has spliced together fragments of horror and musical classics, the novel features mass murder in the land of Oz, Quasimodo's efforts to rescue the condemned Esmerelda, Dr. Frankenstein's search for a suitable cadaver, and the ultimate confrontation between two famous prowlers of the night - the jaded, bony vampire, Dracula, and his enthusiastic double, the Phantom of the Opera, together for the first time.
And still there's more to come: the quest for identities sexual, philosophical, and historical. In the opera itself performers and their roles overlap, beggars become kings, princes turn to ponies, and soldiers and lovers discover they are merely the paintings in which they appear. There lurks as well a writer in search of characters. Steiner's new novel-cum-film dreams its origins out of Faust, reminding us that knowledge and the books it is found in provide dangerous models for life.
